-(bala, balaphone), a Manding name, is believed to have developed independent of the South African marimba. It is made up of wooden rods usually played with padded sticks/mallets. Pitch of the notes vary according to such factors as density and weight of the wood, as well as the length, width, and thickness of the wooden rods. Under each rod is a calabash of varying size, which serves as a resonator. The design of the instrument has not changed much over the centuries, however variation exists throughout West Africa, such as the Balangi in Sierra Leone, the Gyil, (pronounced JEE-lee) of the Dahara people from Ghana, Burkina Faso, and Côte d'Ivoire, and the palaku of the ancient Central African Kingdom of Kongo,. Alternately these instruments can be mounted on a frame or stand and played sitting, standing, or attached to a long leather strap to be slung around the neck and played in processionals. |
-are symbols of power. In African music, bells are recognized as having one of the most resonant and penetrating sounds. They are the master of time, marking the rhythm and maintaining the beat for singing, as well as drumming and dancing. Their voice raises above all the other instrumental sounds, much the same as the king rules over of his subject people. Thus, bells are considered the voice of authority and are an attribute and emblem of power. |
Next > |